BY MICHAEL RYAN At four o’clock it’s dark. Today, looking out through dusk at three gray women in stretch slacks chatting in front of the post office, their steps left and right and back like some quick folk dance of kindness, I remembered the winter we spent crying in each other’s laps. What could you be thinking at this moment? How lovely and strange the gangly spines of trees against a thickening sky as you drive from the library humming off-key? Or are you smiling at an idea met in a book the way you smiled with your whole body the first night we talked? I was so sure my love of you was perfect, and the light today reminded me of the winter you drove home each day in the dark at four o’clock and would come into my study to kiss me despite mistake after mistake after mistake.
Year’s End
BY RICHARD WILBUR Now winter downs the dying of the year, And night is all a settlement of snow; From the soft street the rooms of houses show A gathered light, a shapen atmosphere, Like frozen-over lakes whose ice is thin And still allows some stirring down within. I’ve known the wind by water banks to shake The late leaves down, which frozen where they fell And held in ice as dancers in a spell Fluttered all winter long into a lake; Graved on the dark in gestures of descent, They seemed their own most perfect monument. There was perfection in the death of ferns Which laid their fragile cheeks against the stone A million years. Great mammoths overthrown Composedly have made their long sojourns, Like palaces of patience, in the gray And changeless lands of ice. And at Pompeii The little dog lay curled and did not rise But slept the deeper as the ashes rose And found the people incomplete, and froze The random hands, the loose unready eyes Of men expecting yet another sun To do the shapely thing they had not done. These sudden ends of time must give us pause. We fray into the future, rarely wrought Save in the tapestries of afterthought. More time, more time. Barrages of applause Come muffled from a buried radio. The New-year bells are wrangling with the snow.
Taking Down the Tree
BY JANE KENYON "Give me some light!" cries Hamlet's uncle midway through the murder of Gonzago. "Light! Light!" cry scattering courtesans. Here, as in Denmark, it's dark at four, and even the moon shines with only half a heart. The ornaments go down into the box: the silver spaniel, My Darling on its collar, from Mother's childhood in Illinois; the balsa jumping jack my brother and I fought over, pulling limb from limb. Mother drew it together again with thread while I watched, feeling depraved at the age of ten. With something more than caution I handle them, and the lights, with their tin star-shaped reflectors, brought along from house to house, their pasteboard toy suitcases increasingly flimsy.Tick, tick, the desiccated needles drop. By suppertime all that remains is the scent of balsam fir. If it's darkness we're having, let it be extravagant.
Lines for Winter
BY MARK STRAND for Ros Krauss Tell yourself as it gets cold and gray falls from the air that you will go on walking, hearing the same tune no matter where you find yourself— inside the dome of dark or under the cracking white of the moon's gaze in a valley of snow. Tonight as it gets cold tell yourself what you know which is nothing but the tune your bones play as you keep going. And you will be able for once to lie down under the small fire of winter stars. And if it happens that you cannot go on or turn back and you find yourself where you will be at the end, tell yourself in that final flowing of cold through your limbs that you love what you are.
1 January 1965
BY JOSEPH BRODSKYTRANSLATED BY GEORGE L. KLINE The Wise Men will unlearn your name. Above your head no star will flame. One weary sound will be the same— the hoarse roar of the gale. The shadows fall from your tired eyes as your lone bedside candle dies, for here the calendar breeds nights till stores of candles fail. What prompts this melancholy key? A long familiar melody. It sounds again. So let it be. Let it sound from this night. Let it sound in my hour of death— as gratefulness of eyes and lips for that which sometimes makes us lift our gaze to the far sky. You glare in silence at the wall. Your stocking gapes: no gifts at all. It's clear that you are now too old to trust in good Saint Nick; that it's too late for miracles. — But suddenly, lifting your eyes to heaven's light, you realize: your life is a sheer gift.
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